Our product assortment is geared exclusively toward commercial customers.
Our product assortment is geared exclusively toward commercial customers.

ARRI ALEXA 35 Base Production Set (LPL, MVF, 19mm)

ALEXA 35 camera body with base license, LPL mount, Multi Viewfinder MVF-2, Production Support Set (Top, Side, Bottom (19 mm)) and accessory
ARRI_K0.0053866
ARRI_K0.0053866
brutto €71,519.00
€60,100.00 *

Prices plus VAT plus shipping costs


1-2 weeks
1-2 weeks
Financing:
monthly €1,723.51 Individually calculated
  • ARRI_K0.0053866

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Properties:

The ALEXA 35 Base Production Sets are designed to suit the workflow of a traditional camera department. The ALEXA 35 Base Prod. Set (LPL, MVF, 19mm) contains an ALEXA 35 camera with a Base License (frame rates up to 60 fps, ProRes recording, basic 16:9 and 2:1 spherical recording formats), LPL Mount (LBUS), PL-to-LPL Adapter, MVF-2 viewfinder, production accessories, and Power Distribution Module PDM-1. Both lightweight 15 mm and studio 19 mm rod standards are supported on the CBP-5 bridge plate and shoulder pad that are part of the Production Support Set - Bottom (19mm). The full-size Center Camera Handle CCH-5 and extendable Viewfinder Mounting Bracket VMB-5 offer rock-solid support and rapid reconfiguration possibilities on set. The ALEXA 35 camera with Base License can be upgraded through the ARRI Shop via temporary or permanent licenses with the following features: frame rates up to 120 fps, ARRIRAW recording, all Open Gate-width and anamorphic recording formats plus in-camera anamorphic de-squeeze, pre-recording, and look (ARRI Textures, ARRI Look Library, Custom Color Management). Each feature license can be purchased individually or all together in the Premium License.

  • Base Production Set (LPL, MVF, 19mm)
  • ARRI ALEXA 35
  • 4.6K Super 35 camera with ALEV 4 CMOS sensor and REVEAL Color Science
  • Dynamic range of 17 stops
  • Excellent stray light suppression
  • Extended sensitivity range (EI 160 to EI 6400)
  • 19 recording formats
  • Lens metadata

Package Contents:

  • ALEXA 35 camera body with Base license (KK.0053845)
  • ARRI LPL Mount (LBUS) (K2.0018983)
  • ARRI PL-to-LPL Adapter (K2.0016936)
  • Balance Utility Dovetail BUD-1 (K2.0034180)
  • B-Mount Battery Adapter (K2.0023751)
  • Multi Viewfinder MVF-2 (K2.0020916)
  • Cable VF Right Angle (0.5m/1.5ft) (K2.0042857)
  • AMIRA Power Cable Straight 2m/6.6in KC-50 (K2.75007.0)
  • Power Distribution Module PDM-1 (K2.0024101)
  • Production Support Set - Top (KK.0041533)
  • Production Support Set - Side (KK.0041534)
  • Production Support Set - Bottom (19 mm) (KK.0041535)

Technical Specifications:

sensor type

Super 35 format ARRI ALEV 4 CMOS sensor with Bayer matrix color filter array 
sensor photosites and size

4608 x 3164
Ø 33.96 mm / 1.337"

Sensor FPS

0.75 - 120 fps

Project FPS

23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps

Weight

2.9 kg (camera body with three antennas and LPL mount (LBUS))

Photosite Pitch

6.075 μm

Exposure Index

adjustable from EI 160 - 6400 in 1/3 stops

dynamic range

17 stops

Shutter

Electronic shutter, 5.0°- 356° or 1s - 1/8000s

recording codecs

MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ

storage media

Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048)

storage modes

Standard real-time recording, pre-recording

Viewfinder Type

Multi Viewfinder MVF-2 mit OLED Viewfinder Display (1920 x 1080) und 4" LCD flip-out Monitor (800 x 400)

Viewfinder Diopter

adjustable from -5 to +5

color output
  • Rec 709
  • Rec 2020
  • Rec 2100 PQ
  • Rec 2100 HLG
  • LogC4
look control

ARRI Textures
Custom Coloe Look (via ARRI Look File ALF4 or ARRI Look Library)

white balance

Manual and auto white balance, adjustable from 2000K to 11000K
Color correction adjustable from -16 to + 16 CC
(1 CC corresponds to 035 Kodak CC values ​​or 1/8 Rosco values)

Filter

Built-in motorized ND filter with four positions: Clear, 0.6, 1.2, 1.8
Fixed optical low-pass, UV and IR filters

Squeeze-Faktor
  • 1.00
  • 1.25
  • 1.30
  • 1.33
  • 1.50
  • 1.65
  • 1.80
  • 1.85
  • 2.00
exposure and focusing tools
  • False Color
  • Zoom
  • aperture and color peaking
audio recording

4-Kanal lineares PCM (24 Bit, 48 kHz)

image outputs
  • 2x VF custom CoaXPress connectors for MVF-2 viewfinder
  • 2x 12G SDI (BNC) 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD
interfaces
  • 1x LBUS (4-pin, plug-compatible with LEMO) for lens motors, daisy-chain capable
  • 1x SERIAL (4-pin, plug-compatible with LEMO) for distance measurement accessories
  • 1x TC (5-pin, plug-compatible with LEMO) for timecode input and output
  • 1x ETH (10-pin, plug-compatible with LEMO) for remote control and service
  • 1x SYNC IN (BNC) for Genlock synchronization
  • 1x RET IN (BNC, switchable to SDI 2)
  • 1x USB-C for user settings, look files, etc.
  • 1x Rear Interface (18-pin Pogo)
  • 1x Top Interface (5-pin Pogo)
Audio inputs
  • 1x AUDIO (6-pin, plug-compatible with LEMO) for balanced stereo line input
  • (Line input max. level +24 dBu, corresponds to 0 dBFS) 
  • Two built-in microphones for scratch audio
  • With audio extension module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
audio outputs
  • 1x 3.5mm Stereo-KopfhörerAnschluss (am MVF-2)
  • 2x SDI (embedded Audio)
Stromeingang
  • 1x PWR (8-polig, steckkompatibel zu LEMO) 
  • 1x BAT (rückseitige Schnittstelle der Kamera / Batterieadapter)
  • 20,5 - 33,6 V DC 
Leistungsausgabe
  • 1x RS (Fischer 3-polig) für 24-V-Zubehörstromausgang, Start/Stopp und Auslöserimpuls
  • 1x 12 V (2-polig, steckkompatibel zu LEMO) für 12-V-Zubehör-Stromausgang
  • 1x LBUS (4-pin, steckkompatibel zu LEMO) für Objektivmotoren und 24 V Stromausgang, daisy-chain-fähig
  • 1x AUDIO (6-polig, steckkompatibel zu LEMO) für symmetrischen Stereo-Line-In und 12-V-Zubehör-Stromausgang
  • 1x ETH (10-polig, steckkompatibel zu LEMO) für Fernsteuerung, Service und 24-V-Zubehörstromausgang
  • Mit Power Distribution Module PDM-1: zusätzlich 4x 24 V, 2x 12 V und 1x D-Tap  
Fernsteuerungsoptionen
  • ARRI Camera Companion App
  • ARRI Elektronisches Steuerungssystem (ECS)
  • Webbasierte Fernsteuerung von Handys, Tablets und Laptops über WiFi & Ethernet 
  • Camera Access Protocol (CAP) über WiFi und Ethernet
  • GPIO-Schnittstelle für die Integration einer eigenen Steuerungsschnittstelle
Wireless Schnittstellen
  • Integriertes WiFi-Modul (IEEE 802.11b/g) 
  • Eingebautes White Radio für ARRI ECS Objektiv- und Kamera-Fernsteuerung
Objektivfassungen und -adapter
  • ARRI LPL Mount (LBUS)
  • ARRI PL-zu-LPL Adapter
  • ARRI PL Mount (LBUS)*
  • ARRI PL Mount (Hirose)*
  • ARRI EF Mount (LBUS)*
  • Leitz M Mount für ARRI*

*separat erhältlich, nicht im Lieferumfang enthalten

Flansch Schärfentiefe
  • LPL Mount: 44 mm
  • PL mount: 52 mm
Stromverbrauch

~ 90 W (Kamera-Body und MVF-2)

Abmessungen

147 x 152.5 x 203 mm (Kamera-Body mit LPL-Objektivanschluss)

Betriebstemperatur

-20° C bis +45° C @ 0-95% relativer Luftfeuchtigkeit

Lagertemperatur

-30° C bis +70° C 

IP Schutzklasse

IP 51

Schallpegel

< 20 dB(A) bei 30 fps, Aufnahme in 4K 16:9 - UHD, Apple ProRes 4444 XQ, ≤ +30° Umgebungstemperatur

Lizenz

ALEXA 35 Cine

Sensor Modi

Sensor Modi
 
Active image area
(dimensions)
Image diagonal
(Ø)
Active image area
(photosites)
resolution of the recording
(pixels)
Max fps*
(1TB / 2TB Drive)
4.6K 3:2 Open Gate
 
28.00 x 19.20 mm
1.102 x 0.756"
33.96 mm
1.337"
4608 x 3164
 
4.6K (4608 x 3164)
 
35 / 75 fps (ARRIRAW)
60 / 60 fps (Apple ProRes)
      
4.6K 16:9
 
28.00 x 15.70 mm
1.102 x 0.618"
32.10 mm
1.264"
4608 x 2592
 
4.6K (4608 x 2592)45 / 75 fps (ARRIRAW)
4K (4096 x 2304)75 / 75 fps (Apple ProRes)
      
4K 16:9




 
24.90 x 14.00 mm
0.980 x 0.551"



 
28.57 mm
1.125"



 
4096 x 2304




 
4K (4096 x 2304)
 
55 / 120 fps (ARRIRAW)
100 / 100 fps (Apple ProRes)
UHD (3840 x 2160)120 / 120 fps (Apple ProRes)
2K (2048 x 1152)120 / 120 fps (Apple ProRes)
HD (1920 x 1080)120 / 120 fps (Apple ProRes)
      
4K 2:1
 
24.90 x 12.40 mm
0.980 x 0.490"
27.82 mm
1.095"
4096 x 2048
 
4K (4096 x 2048)
 
65 / 120 fps (ARRIRAW)
120 / 120 fps (Apple ProRes)
      
3.3K 6:5

 
20.22 x 16.95 mm
0.796 x 0.693"
 
26.38 mm
1.039"
 
3328 x 2790

 
3.3K (3328 x 2790)
 
55 / 100 fps (ARRIRAW)
75 / 75 fps (Apple ProRes)
4K 2.39:1 Ana. 2x (4096 x 1716)90 / 90 fps (Apple ProRes)
      
3K 1:1

 
18.70 x 18.70 mm 
0.737 x 0.737
 
26.45 mm
1.041"
 
3072 x 3072

 
3K (3072 x 3072)
 
55 / 100 fps (ARRIRAW)
90 / 90 fps (Apple ProRes)
3.8K 2:1 Ana. 2x (3840 x 1920)100 / 100 fps (Apple ProRes)
      
2.7K 8:9
 
16.70 x 18.70 mm
0.656 x 0.738"
25.09 mm
0.988"
2743 x 3086
 
UHD 16:9 Ana. 2x (3840 x 2160)
 
100 / 100 fps (Apple ProRes)
 
      
2K 16:9 S1612.40 x 7.00 mm
0.490 x 0.276"
14.24 mm
0.561"
2048 x 1152
 
2K (2048 x 1152)
 
120 / 120 fps (Apple ProRes)
 

*Some Apple ProRes 4444 XQ formats have a slightly lower maximum fps

Related links to "ARRI ALEXA 35 Base Production Set (LPL, MVF, 19mm)"

Manufacturer Address

Arnold & Richter Cine Technik GmbH & Co Betriebs KG
Herbert-Bayer-Straße 10
DE 80807 München
+49 89 3809-0
[email protected]
https://www.arri.de

Responsible Person

Arnold & Richter Cine Technik GmbH & Co Betriebs KG
DE 80807 München
+49 89 3809-0
[email protected]
https://www.arri.de

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